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Oppermann's little note on my Final Portfolio |
Overall my critique that I got from the class was more or the less the same thing I've heard over the semester and midterm: I am lightning fast when it comes to locking down a gesture or pose (which she calls my talent), but oftentimes in my speed I already have like a pre-set model form in my head that in terms of capturing the human form, my drawings become generic or bland. I also have this tendency to stiffen up on longer poses because (again) I lock down on a pose fast, I spend the rest of time fussing so much about things that I overdo things. The biggest advice I got from her was to slow down, really look at my models carefully, pull back/ think carefully like where I should add another line or paint a shadow. Oh and also to take risks and mess up; if she never minded us having bad drawing, why should we?
We finished up before the next school bus came so I wandered around the galleries checking out the Illustrations and Painting Thesis galleries (gorgeous stuff, as expected) and then for fun I bum watched this Architecture class whose finals were making these straw towers in what fashion, then were clamped to the wall and their points had to be able support weights dangling in a bucket.
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I think they pass if the towers don't break after maybe 5 pounds. |
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